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Born from love, musical empathy, a baby grand piano discovered on Gumtree and an expired visa, Snowbird duo Stephanie Dosen and Simon Raymonde have crafted an album of exquisite melody and mood that radiates the uncanny mystery of the object itâ€™s named after: moon.
Released early next year on Bella Union, the label that Raymonde has curated and run since his former band Cocteau Twins went their individual ways in 1997, moon comprises 11 songs composed between two continents; Raymonde was in London while Dosen was in North Carolina after being based in the capital following her 2007 debut A Lily For The Spectre. Snowbirdâ€™s album was subsequently crafted via the wonder of technology, and yet moon has one unifying and intimate sound and vision, from gently pulsating, pop-centric trails to lingering, luminous ballads.
moon album features a stellar castlist of guests lending their talents to proceedings: Radiohead drummer Philip Selway and guitarist Ed Oâ€™Brien, Midlake guitarist Eric Pulido and drummer McKenzie Smith and two more gifted guitarists in Paul Gregory (Lanterns On The Lake) and Jonathan Wilson all contribute.
"Having them add their magic to the record was a thrill, but really, I think this is very much Stephanie's record,â€ Raymonde points out. â€œShe's a really special singer and I feel the simplicity of my music was the perfect backdrop for her stories and her incredible vocal arrangements."
The pairâ€™s first connection was Raymondeâ€™s discovery of Dosenâ€™s music and subsequently producing her debut album and releasing it on Bella Union. 'Stephanie was the first singer I had worked with since Elizabeth [Fraser of Cocteau Twins] that I had a real musical empathy with,â€ he admits. â€œShe could do anything. No one had ever sung with Midlake on record before Stephanie, while Massive Attack asked her to be their lead singer on tour - ironic really given that Elizabeth had too! She also sang with the Chemical Brothers. But weâ€™d never written music together at home.â€
Raymonde no longer had instruments or microphones in his flat until he saw an offer of a baby grand piano that was free apart from transportation costs. Once it was installed, he slowly began to play again. "I never intended Cocteau Twins to be my last band,â€ he says, â€œbut frankly I wasn't just going to jump back on any old nag just for the sake of it.â€
It was fortuitous that he had the baby grand for company when Dosen had to return to the US to reapply for a visa. Once there, she started receiving emails, â€œshort piano pieces, every night for 12 days,â€ Raymonde recalls. â€œAnd each morning, I'd wake up to an email of my piano piece with these amazing vocals that she'd recorded in North Carolina. After two weeks, we had the basis for what now makes up moon.â€
â€œI wrote every piece of music at night, in semi-darkness so that the space didnâ€™t feel like my living room,â€ says Raymonde. â€œThe moon was very important for the light it reflected.â€
â€œAll the stories on the record are night-time stories, forest-y and moonlit,â€ Dosen adds. â€œThe moon only shines because it is being seen by the sun - I like the idea of that sort of illumination of an object or a person. Itâ€™s almost like being seen makes us shine.â€
moon will be released in double-disc format complete with a bonus album. The second is called luna, an album of remixes (one for each 11 tracks) by Michiganâ€™s electronic luminary RxGibbs, who expands, annotates and shines a whole new light on the wonder of Snowbird, adding and subtracting beats, creating otherworldly ambient passages, and building the other half of a distinctly beautiful, passionate whole that gives a whole new meaning to the term â€œmoonstruckâ€.